If you have an opportunity to share your work with a new audience, no matter how tough you think their critique might be, fear not. More input actually helps craft better output. Visual thinking benefits from many perspectives. In this newsletter, we'll look at various ways to widen your lens in terms of both your visuals and their meanings.
Humans are wired to assign meaning. We love things to make sense. We seek patterns and assign meaning to things we read, see and experience constantly. This is one of the reasons why working visually is such a powerful tool.
Lots of times, however, you might see something you've drawn one way, while someone else sees it another. Often, adding a label can help ensure that your icon is interpreted the way you intend. On the "glass half full" side, these varied interpretations can be opportunities to expand your icon library. I can think of four times in recent days that I was given the gifts of fresh input that helped me, sometimes with visual projects, sometimes in other ways.
First, I took my iPad with me to the diner where I had some time to myself waiting for my car to be inspected. I did some quick sketches, selected a few parts of the sketches and turned them into icons.
Second, I took the FOUNDATIONS course with my teenage boys. Not only was it fun for me to revisit the exercises as a participant, I learned a TON about what parts of the course might be most relevant from the middle and high schooler perspectives. The parts that caught their attention pointed directly to the essential messages in the course. This is incredibly valuable information for Deb and me for future course development, marketing and in-person delivery.
Third, (mini reveal here!) I shared the outline of the book I’m writing with a friend. By explaining how I set up the outline in spreadsheet form and what the various rows and columns meant for the intended book structure, that structure became more clear to me. Her careful listening and input set me up to have a very productive session reworking the outline to be simpler and more coherent for the reader.
Finally, in designing a newsletter masthead recently, my team asked about 10 people which of 7 fonts looked the most like a loose, hand-written script that could have been written by the same person who did a drawing that would appear next to it. They noticed lots of things I wouldn’t have thought of, like the way one of the letters “k” was hard to read as a “k.”
It can be tempting to keep our creative projects under wraps until we feel they are “ready for prime time,” but sometimes taking a lesson from the agile approach can help you complete a better project in less time. Get the idea formulated just enough to share. Then allow those multiple perspectives to improve, test and expand the idea, hopefully before excessive resources are spent going down a path that might prove less than ideal because not enough audiences were at the design table.
The WAYS we interpret patterns and assign meanings are variable. This is why we need to seek out a diverse set of opinions if the goal is clear communication.
Remember — to get better output, seek out more input. Increase your visual input to expand your visual vocabulary and icon library. Share with a diverse audience, and listen to the various interpretations to help you build your visual vocabulary even more and to clarify your communication.